Through a unique blend of art, photography, film, and architecture, The Bizarre House presents the individual dwelling as a place of mystery and wonder. Fusing house and marvel, it probes the relationship linking interior and shell, oppose and space, and it elaborates “the marvelous” and “compulsive beauty” as espoused by André Breton. The haunted house, the cabinet of curiosities, the ruined castle, the cage, the cave, the box, the labyrinth, the bell jar, and the womb are among the uniquely bizarre habitats explored.

Shaped by the irrational and the dissident, the flip side of the modernist paradigm of the functional, rational dwelling, The Bizarre House is ripe for discovery. Mirroring the surrealist like of poetic juxtaposition, the project brings together works by artists such as Edward Hopper, Marcel Duchamp, Giorgio de Chirico, Man Ray, Max Ernst, René Magritte, Joseph Cornell, and Salvador Dalí. A bizarre legacy is to be found in the interiors of modest-known Italian architect and designer Carlo Mollino, in Frederick Kiesler’s model for “The Endless House” (1957–59), in sculptures by Louise Bourgeois and Rebecca Horn, and in installations by Edward Kienholz and Ilya Kabakov. Contemporary architecture is represented by the work of Rem Koolhaas and Diller & Scofidio, among others.

A manifesto for a poetic reading of the house, The Bizarre House reflects on the unquestionable importance of the dwelling, the support of our being, in the imaginative realm. This richly illustrated account brings together a host of commentators and historians, and accompanies a major exhibition.